![]() But usually, lenses will be heavier, bigger and more expensive. ![]() For those wondering, you’ll be able to use Canon EF lenses (first designed for Full Frame cameras) on your Canon M body. Addition of Opteka lenses: 6.5mm f/2 Circular Fisheye, 12mm f/2.8, 28mm f/2.8, 35mm f/1.7, 50mm f/2.Ĭanon only offers a few EF-M lenses.Addition of the three Viltrox lenses for EF-M with f/1.4 aperture: the 23mm, 33mm and 56mm. ![]() Addition of 7Artisan lenses: 7Artisan 18mm f/6.3 UFO Lens, 7Artisan 35mm f/0.95 and 7Artisan 60mm f/2.8 Macro,.Addition of TTArtisan 35mm f/1.4, a nice bright prime lens to create shallow depth of field for example for portrait photography,.Addition of Meike lenses : 6-11mm f/3.5 Fisheye, Meike 6.5mm f/2 Fisheye and Meike 8mm f/3.5 Fisheye,.Addition of the TTArtisan 17mm f/1.4, a bright wide-angle manual focus lens.Addition of the Pergear 10mm f/5.6 Pancake Fisheye.Addition of 7Artisans lenses : TTArtisan APS-C 40mm f/2.8 Macro, 7artisans 50mm f/0.95, 7artisans 60mm f/2.8 II V2 Macro and 7Artisans 25mm f/0.95.Addition of Meike 7.5mm f/2.8 MF, Meike 50mm f/0.95, TTArtisan 7.5mm f/2 APS-C Fisheye, Meike 12mm f/2 MF.Lensbaby : Lensbaby Sol 22mm f/3.5 MFT, Lensbaby Velvet 28mm f/2.5 MFT, Lensbabay Trio 28mm f/3.5 MFT, Lensbaby Burnside 35mm f/2.8 MFT, Lensbaby Sol 45mm f/3.5 MFT, Lensbaby Velvet 56mm f/1.6 MFT, Lensbabay Velvet 85mm f/1.8 MFT, Lensbaby Composer Pro II with Edge 35 Optic MFT, Lensbaby Composer Pro II with Edge 50 Optic MFT, Lensbaby Composer Pro II with Edge 80 Optic MFT, Lensbaby Composer Pro II with Sweet 35 MFT, Lensbaby Composer Pro II with Sweet 50 Optic MFT, Lensbaby Composer Pro II with Sweet 80 Optic MFT.Kipon : KIPON Ibelux 40mm f/0.85 Mark III.Samyang : Samyang 85mm f/1.8 Manual Focus.Laowa : Laowa Argus 33mm f/0.95 CF APO and the Laowa 10mm f/4 Cookie X.TTArtisan : TTArtisan 23mm f/1.4 M, TTArtisan APS-C 50mm f/0.95 M, TTArtisan 50mm f/2 M and the TTArtisan APS-C 50mm f/2 M.7Artisans : 7artisans 7.5mm f/2.8 II, 7artisans 35mm f/1.2 II, 7Artisans 35mm f/1.4 and the 7Artisans 55mm f/1.4 II.Meike : Meike 25mm f/2.0 Manual Focus Wide Angle and the Meike 10mm f/2 MF M.While we can get the maximum or minimum depth of field by working at each end of the aperture range, sometimes we want a more intermediate level of depth of field, limiting focus to a specific range of distances within the overall photograph. One way to do this is to choose a mid-range f/stop, like f/5.6, and shoot a test frame. In image playback, use the magnifying function of the LCD to zoom in and check the depth of field make adjustments if necessary and reshoot. ![]() When choosing lenses for landscape photography, we usually want to see as much detail as possible from foreground to background we want to achieve the maximum depth of field by choosing a small aperture (higher f/stop, like f/8 or f/11). This helps direct the viewer's attention to the subject. Aperture for Portraitsįor classic portraiture we separate our subject from the surroundings by using "selective focus." Choosing a large aperture (lower f/stop, like f2.8) creates very shallow depth of field with only the subject, or just a portion of the subject, in focus. Now that we know how to control depth of field, what determines the choices we make in selecting the aperture? We use focus and depth of field to direct attention to what is important in the photograph, and we use lack of focus to minimize distractions that cannot be eliminated from the composition. While there are no rules, there are some guidelines for selecting Aperture priority. ![]()
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